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Fast And Furious 5 English Movie
Classification: 18
Genre: Action
General Release Date: 05 May 2011
Running Time: 2 Hours 12 Minutes
Distributor: United International Pictures
Cast : Vin Diesel, Paul Walker, Jordana Brewster, Dwayne Johnson
Courtesy : Hollywood
Director: Justin Lin
Fast And Furious 5: Movie Review:
The Fast and the Furious film series consists of five street racing action films produced by Universal Studios, with a sixth installment on the way. While none of the films have had very high critical praise, all of the films have been top grossers at the box office.
Since Brian O'Connor (Paul Walker) and Mia Toretto (Jordana Brewster) broke Dom (Vin Diesel) out of custody, they've blown across many borders to elude authorities. Now backed into a corner in Rio de Janeiro, they must pull one last job in order to gain their freedom. As they assemble their elite team of top racers, the unlikely allies know their only shot of getting out for good means confronting the corrupt businessman who wants them dead. But he's not the only one on their tail as hard-nosed federal agent Luke Hobbs (Dwayne Johnson) never misses his target. When he is assigned to track down Dom and Brian, he and his strike team launch an all-out assault to capture them. But as his men tear through Brazil, Hobbs learns he can't separate the good guys from the bad. Now, he must rely on his instincts to corner his prey, before someone else runs them down first.
Train-robbery fireworks notwithstanding, Fast Five sputters a bit out of the gate, never really hitting high-gear until about the 45-minute mark, when the boys, employing that special brand of dubious reasoning peculiar to heroes of American action films, hatch an idea to steal $100 million from Reyes, the same scoundrel currently seeking their heads. At this point, Fast Five adopts the standard template of a contemporary heist flick, a la The Italian Job remake and the Ocean’s series: A multi-ethnic team of top-class specialists is assembled (a handy excuse to bring back franchise veterans like Tyrese Gibson, Chris “Ludacris” Bridges, and Sung Kang), and a plan just crazy enough to work is formulated.
Credit Fast Five director Justin Lin with learning a few lessons from the last film, the most salient being that a spectacle this outrageous needs a healthy dose of levity to make its potent summer-movie brew go down smooth. Fast Five has a sense of humor that its needlessly morose predecessor sorely missed, thanks in large part to comic contributions from Gibson, Bridges, and the wacky reggaeton duo of Tego Calderon and Don Omar. And the spectacle is indeed outrageous. Lin bombards us with one gloriously absurd set piece after another, with seemingly little regard for whether the action is germane to the plot or even visually coherent. Alas, logic and coherence are not the priority here; awesomeness is. And if the price of awesomeness is glaring plot holes, underdeveloped characters, and occasional moments of abject confusion, then so be it.
Indeed, some sequences are entirely superfluous, as when the gang steals four cop cars from the local police headquarters (thefts of large, easily recognized and traceable objects being surprisingly easy in Rio) and then decides to race them in an impromptu urban grand prix, because what the hell. Lucky for them, the streets of Rio, a city of 12 million people, are apparently completely deserted at night. There’s nary a pedestrian nor another car around to get in the way of the fun, or bear witness to it, for that matter.
Fast Five’s main plot turns out to be something of a bust. Far more entertaining is a subplot involving the rivalry that emerges between Diesel and Dwayne “The Rock” Johnson, who plays Luke Hobbs, a brash and boisterous federal agent sent south to bring fugitive Dom back stateside. Pumped up to his former WWE proportions and wearing a thick, vaguely sinister goatee (presumably to help differentiate him from the cast’s other gargantuan, bald, mixed-race actor of limited range) Johnson engages Diesel in a gleefully overblown (yet tonally consistent with the rest of the film) dick-measuring contest. Their scenes together crackle with combustible machismo, not to mention a sexual tension conspicuously absent from Diesel’s interactions with his designated love interest, a Brazilian cop played by Elsa Pataky.
Fast And Furious 5 English Movie
Classification: 18
Genre: Action
General Release Date: 05 May 2011
Running Time: 2 Hours 12 Minutes
Distributor: United International Pictures
Cast : Vin Diesel, Paul Walker, Jordana Brewster, Dwayne Johnson
Courtesy : Hollywood
Director: Justin Lin
Fast And Furious 5: Movie Review:
The Fast and the Furious film series consists of five street racing action films produced by Universal Studios, with a sixth installment on the way. While none of the films have had very high critical praise, all of the films have been top grossers at the box office.
Since Brian O'Connor (Paul Walker) and Mia Toretto (Jordana Brewster) broke Dom (Vin Diesel) out of custody, they've blown across many borders to elude authorities. Now backed into a corner in Rio de Janeiro, they must pull one last job in order to gain their freedom. As they assemble their elite team of top racers, the unlikely allies know their only shot of getting out for good means confronting the corrupt businessman who wants them dead. But he's not the only one on their tail as hard-nosed federal agent Luke Hobbs (Dwayne Johnson) never misses his target. When he is assigned to track down Dom and Brian, he and his strike team launch an all-out assault to capture them. But as his men tear through Brazil, Hobbs learns he can't separate the good guys from the bad. Now, he must rely on his instincts to corner his prey, before someone else runs them down first.
Train-robbery fireworks notwithstanding, Fast Five sputters a bit out of the gate, never really hitting high-gear until about the 45-minute mark, when the boys, employing that special brand of dubious reasoning peculiar to heroes of American action films, hatch an idea to steal $100 million from Reyes, the same scoundrel currently seeking their heads. At this point, Fast Five adopts the standard template of a contemporary heist flick, a la The Italian Job remake and the Ocean’s series: A multi-ethnic team of top-class specialists is assembled (a handy excuse to bring back franchise veterans like Tyrese Gibson, Chris “Ludacris” Bridges, and Sung Kang), and a plan just crazy enough to work is formulated.
Credit Fast Five director Justin Lin with learning a few lessons from the last film, the most salient being that a spectacle this outrageous needs a healthy dose of levity to make its potent summer-movie brew go down smooth. Fast Five has a sense of humor that its needlessly morose predecessor sorely missed, thanks in large part to comic contributions from Gibson, Bridges, and the wacky reggaeton duo of Tego Calderon and Don Omar. And the spectacle is indeed outrageous. Lin bombards us with one gloriously absurd set piece after another, with seemingly little regard for whether the action is germane to the plot or even visually coherent. Alas, logic and coherence are not the priority here; awesomeness is. And if the price of awesomeness is glaring plot holes, underdeveloped characters, and occasional moments of abject confusion, then so be it.
Indeed, some sequences are entirely superfluous, as when the gang steals four cop cars from the local police headquarters (thefts of large, easily recognized and traceable objects being surprisingly easy in Rio) and then decides to race them in an impromptu urban grand prix, because what the hell. Lucky for them, the streets of Rio, a city of 12 million people, are apparently completely deserted at night. There’s nary a pedestrian nor another car around to get in the way of the fun, or bear witness to it, for that matter.
Fast Five’s main plot turns out to be something of a bust. Far more entertaining is a subplot involving the rivalry that emerges between Diesel and Dwayne “The Rock” Johnson, who plays Luke Hobbs, a brash and boisterous federal agent sent south to bring fugitive Dom back stateside. Pumped up to his former WWE proportions and wearing a thick, vaguely sinister goatee (presumably to help differentiate him from the cast’s other gargantuan, bald, mixed-race actor of limited range) Johnson engages Diesel in a gleefully overblown (yet tonally consistent with the rest of the film) dick-measuring contest. Their scenes together crackle with combustible machismo, not to mention a sexual tension conspicuously absent from Diesel’s interactions with his designated love interest, a Brazilian cop played by Elsa Pataky.
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